Monday, September 30, 2013

ALL THE TIRED PEOPLE IN LA NOTTE



I have never seen a movie with more tired looking people in it than Michaelangelo’s Antonioni’s LA NOTTE. Everyone has bags under their eyes and moves wearily even the handsome, urbane Marcelo Mastroianni looks shagged out here.

Nobody looks more tired than Jeanne Moreau who plays Mastroianni’s wife.  He is a successful writer and the couple has no children.  Moreau, one of the most exceptionally beautiful actress in her film history, with her drawn face and lack of make-up looks miserable most of the time here except for a couple scenes during the long walk through an old neighborhood she used to frequent with Mastroianni in happier times.  Seeing kids shoot fireworks and other simpler pleasures brings a brief, tight smile to her face.

What is the source of her unhappiness?  Well the ending is catharsis.  She tells her husband she no longer loves him and hasn’t for some time and is sure he feels the same.  He refuses to admit this and to take no for an answer and forces himself on her as the movie pans away to the end credits.

Relationships are confusing. It is strongly suggested that Mastroianni’s infidelities might be largely responsible for their deteriorating marriage.  Moreau has a chance to be unfaithful at the party that takes up about 60% of the film (the second part) but can’t bring herself to do it.

The visually exciting post WWII Rome is a city on the move but much like LA DOLCE VITA ,which this feels like a companion piece too, there is rot at the human level and old values are replaced with nothing.  Here it is a married couple rather than a single swinging man but the end result is the same.

All the tired people….  The only one in LA NOTTE who isn’t tired is the couple’s dying friend Tommaso whom they visit in the hospital at the beginning of the film.  He is meant to be a “good” person and is still in love with life despite his impending mortality.  The Rosebud of the film is he loved Moreau when they were single but she chose to have a relationship and marry Mastroianni instead.

What a great film! To top it off, LA NOTTE is filled with visuals that in direct relation to the mental states of the characters show how lost they are in life.


       

Thursday, September 26, 2013

FOUR FILMS - THE GLASS MAN, BLUE CAPRICE, BLOODY HOMECOMING, PLUS ONE

THE GLASS MAN

Complex uncomfortable thriller with great performances by the two leads.  Unpleasant but well made.  The source of the main character’s breakdown is timely. Easy to guess twist does not detract from narrative.



BLUE CAPRICE

Isiah Washington is very good in this semi-fictional story of the Beltway snipers.  There is insight into what makes the killers tick and it is not exploitative.  However the narrative style makes it feel like a series of vignettes rather than a complete film.



BLOODY HOMECOMING

I appreciate a film based on the classic 1980's slasher template with a whodunit ending (and this film follows that template religiously) but low budget makes for flat action in otherwise suspenseful scenes.  CGI gore looks fake and also detracts.



 PLUS ONE


A clever and original plot device/menace can't make up for poor pacing, boring teen angst, and a dumb ending.  Basic idea is good but too much set-up and runs out of gas.



Monday, September 16, 2013

THREE FILMS - YOU'RE NEXT, THE BAADER MEINHOF COMPLEX, WITHER

YOU’RE NEXT

The twists are easy to guess but this is a solid fast paced thriller with plenty of inventive, gory violence, a kickass heroine, and AJ Bowen the prince of modern day horror movies.



THE BAADER MEINHOF COMPLEX

Excellent German flick about 70’s terrorist group.  Riveting, detailed full of historical context and great performances.  Credible, intelligent, you would never see a film like this made in America.  



WITHER

Forget about the shitty Evil Dead remake, this  Swedish ghouly film is the true remake – gory, shocking, full of action and in the same spirit as the original Evil Dead.