Tuesday, January 13, 2015

TWO FILMS - KILL THE MESSENGER, A MOST VIOLENT YEAR


KILL THE MESSENGER

The first half which involves Gary Webb's investigation into the CIA distributing drugs to fund the Contras is tight like ALL THE PRESIDENT'S MEN, a riveting story told well. I was pleasantly surprised how equivocal and supportive the film was of his investigation and what he found out. The second half about how they came after Webb and tried to discredit him is a bit looser but still thrilling. Good, believable performance by Jeremy Renner and also some nice soundtrack choices - Mott the Hoople and the Clash. I've read Webb's book DARK ALLIANCE and its interesting to note that most if not all of what he wrote about the CIA drug conspiracy was eventually admitted by the government. It's why I never trust the immediate news about an incident. The US government does terrible things and creates false or exaggerated threats. In 50 years, the JFK and MLK assassinations as well as possibly things like the Paris shooting the other day will be revealed as very different as what the official line is now. I am willing to bet on that.

  
A MOST VIOLENT YEAR

Sort of an anti-Godfather in which the main character works out his heating oil business problems without resorting to violence (mostly).  The closest he gets is creative bookkeeping and the sacrifice of one innocent character which reminds us in the end that this is evolutionary – representing the growth from corruption and crime to business conducted with at least the pretence of honesty in the 1970's.  What worked - Excellent use of locales and an intelligent story that doesn’t resort to bloody mayhem.  The chase scene towards the end reminded me of THE FRENCH CONNECTION and was a brilliantly shot sequence.  What I didn’t like – A bit dull in spots, could have been paced better.  Oscar Isaacs is a bit too earnest in the main role – we get it he’s honest.  I wish they could have had the audience guessing more about the character.  Ditto on Jessica Chastain as his hot-headed mob princess wife.  An unrecognizable Albert Brooks is underutilized.


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